When I was fifteen, sixteen When I started really to play the guitar I definitely wanted to become a musician It was almost impossible because, it was The dream was so big That I didn't see any chance Because I was living in a little town, was studying And when I finally broke away from school and became a musician I thought "well, now I may have a little bit of a chance" Because all I really wanted to do is music And not only play music, but compose music At that time, in Germany, in '69, '70, they already had discotheques So I would take my car, would go to a discotheque Sing maybe thirty minutes I think I had about seven, eight songs I would partially sleep in the car Because I didn't want to drive home And that helped me for about almost two years to survive In the beginning I wanted to do an album with the sounds of the fifties The sounds of the sixties, of the seventies And then have a sound of the future And I thought: "Wait a second I know the synthesizer, why don't I use the synthesizer Which is the sound of the future" And I didn't have any idea what to do but I knew I needed a click So we put a click on the 24-track which was then synced to the Moog modular I knew that it could be a sound of the future But I didn't realize how much impact would be My name is Giovanni Giorgio, but everybody calls me Giorgio Once you free your mind about a concept of Harmony and of music being correct You can do whatever you want So nobody told me what to do And there was no preconception of what to do